This is a particularly important topic for myself on the spectrum, as I’ve had a lot of difficulties trying to follow what’s going on in the cinema. I’d have subtitles on all the time if that was possible.

  • P03 Locke@lemmy.dbzer0.com
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    17 days ago

    Then you watch all the “greatest” TV shows: Sopranos, Breaking Bad, Deadwood, Freaks and Geeks, Gilmore Girls, Star Trek, Madmen which are filled with these huge, scenery-chewing performances.

    What do all of those shows have in common? They were all made at least ten years ago by cable studios that actually knew what the fuck they were doing. Today’s Hollywood is mostly a dumpster fire of bad writers, bad directors, bad writers, actors that have their hands tied by the rest of the crew, terrible terrible writers, and producers who are so far removed from reality that they don’t even understand what makes a film great.

    • WanderingVentra@lemm.ee
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      17 days ago

      Ah, the Golden Age of TV. When is that exactly? I know some people say it’s still going, but it must have been from like The Sopranos or Lost up to, idk, Mad Men or Breaking Bad, right? When good, serialized, prestige television became en vogue but before streaming took it all over, would be my guess.

      • P03 Locke@lemmy.dbzer0.com
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        17 days ago

        The last great TV series I watched was Mr Robot, and that started in 2015, by a cable studio.

        Now, I’ve seen plenty of good potential streaming series that have a first season, like Arcane and Severance. But, the odds of them having some sort of beginning, middle, and ending are damn near zero. How can you have any sort of series when they want to spend something like five years between seasons?

        Hell, even The Expanse, which started out as a cable series, got picked up by Amazon, and they decided to just shitcan the series because they wanted to spend a billion dollars on their LotR boondoggle. They had a pretty good run, but it deserved better.

    • Not a replicant@lemmy.world
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      17 days ago

      Can you imagine the sheer frustration of trying to hear and appreciate the glorious dialogue of Deadwood were it subject to the poor standards of current productions?