Video game stories being famously unique and not at all formulaic.
Video game stories being famously unique and not at all formulaic.
Gin and hubris tell me the leading defense will be other drones. Defense still has the range advantage: assholes come to you. You can easily make faster and lighter drones than whatever’s targeting you, and if nothing else, punish attacks with loss of materiel. Which doesn’t even require blowing up your zippy little drone, if the enemy’s rotors can be fucked by anything more substantial than Silly String.
Let’s not water down the concept of lost media. Black & White was sold on physical discs with twee 2000s DRM. I guaranfuckingtee you it’s easily pirated, alongside the Fisher Price version of Windows it ran on.
Holy shit, Pete Stacker was having a day.
A tomcatamaran.
I would maybe not put thermal issues right in the name.
wd40
We are all such dorks.
Some places suck.
Some places suck, by design.
Reducing criticism of systemic problems to “just because you disagree” is dishonest… and indicative.
This would be the Lemmy community that’s all about Stargate instead of Star Trek.
And a pre-emptive middle finger to anyone who can’t figure out budgets follow revenue. They cannot possibly lead it. If companies did that, they would run out of money. They’re only spending two times their last game’s budget because their last game made four times its budget. You can’t do it the other way around.
But empty suits only see ROI. They think, if some game sold one million copies, then it would necessarily have sold one point two million copies, if they’d spend twenty percent more. Their model has no concept of an additional two hundred thousand actual human beings who would give a shit, somehow, about this already-popular title. There is only the equation, and a roll of the dice.
Wild idea:
Spend less.
Listening to your example, compare the Deftones’ “Knife Party.”
From the description - hypnogogic pop? Tame Impala, especially anything off Currents. An album that begins with “Let It Happen” and ends with “New Person, Same Old Mistakes.”
Kinda progressive rock, especially post-70s. Kingston Wall - “Could It Be So?”
Songs that make you lose yourself before the voice of the artist jolts you awake.
Oh, so more My Morning Jacket. “Touch Me I’m Going To Scream, Pt.1.” “Dondante.” Or arguably Mew’s “Comforting Sounds.”
I have to admit - my initial outrage over Copilot training on open-source code has vanished.
Now that these networks are trained on literally anything they can grab, including extremely copyrighted movies… we’ve seen that they’re either thoroughly transformative soup, or else the worst compression and search tools you’ve ever seen. There’s not really a middle ground. The image models where people have teased out lookalike frames for Dune or whatever aren’t good at much else. The language models that try to answer questions as more than dream-sequence autocomplete poetry will confidently regurgitate dangerous nonsense because they’re immune to sarcasm.
The comparisons to a human learning from code by reading it are half-right. There are systems that discern relevant information without copying specific examples. They’re just utterly terrible at applying that information. Frankly, so are the ones copying specific examples. Once again, we’ve advanced the state of “AI,” and the A went a lot further than the I.
And I cannot get offended on Warner Brothers’ behalf if a bunch of their DVDs were sluiced into a model that can draw Superman. I don’t even care when people copy their movies wholesale. Extracting the essence of an iconic character from those movies is obviously a transformative use. If some program will emit “slow motion zoom on Superman slapping Elon Musk,” just from typing that, that’s cool as hell and I refuse to pretend otherwise. It’s far more interesting than whatever legal fictions both criminalized 1700s bootlegging and encouraged Walt Disney’s corpse to keep drawing.
So consider the inverse:
Someone trains a Copilot clone on a dataset including the leaked Windows source code.
Do you expect these corporations to suddenly claim their thing is being infringed upon, in front of any judge with two working eyes?
More importantly - do you think that stupid robot would be any help what-so-ever to Wine developers? I don’t. These networks are good at patterns, not specifics. Good is being generous. If I wanted that illicit network to shamelessly clone Windows code, I expect the brace style would definitely match, the syntax might parse, and the actual program would do approximately dick.
Neural networks feel like magic when hideously complex inputs have sparse approximate outputs. A zillion images could satisfy the request, “draw a cube.” Deep networks given a thousand human examples will discern some abstract concept of cube-ness… and also the fact you handed those thousand humans a blue pen. It’s simply not a good match for coding. Software development is largely about hideously complex outputs that satisfy sparse inputs in a very specific way. One line, one character, can screw things up in ways that feel incomprehensible. People have sneered about automation taking over coding since the punched-tape era, and there’s damn good reasons it keeps taking their jobs instead of ours. We’re not doing it on purpose. We’re always trying to make our work take less work. We simply do not know how to tell the machine to do what we do with machines. And apparently - neither do the machines.
… god dammit, was her name really “leet?”
As opposed to when?
I assumed he was big on Macs for their own sake. It’s a thing, for music geeks - and obviously he’s a fan of iPods, specifically. Surprised to hear his objectively correct summary of Windows versions.
One bed, half bath.